Beyond Good and Evil - Friedrich Nietzsche
When I was at University Nietzsche's work was important to me. Reading Nietzsche was the first time I read philosophy that felt fun. Nietzsche's aphorisms seemed imbued with a a sense of playfulness, and an ambiguity, that made reading them seem like acts of possibility. The concepts that underpinned Nietzsche's work—the sense of overcoming oneself, the laughing God, eternal recurrence—soon began to structure how I thought about the world. At one point, as a first year, I took a white sheet and decorated it with quotes from Thus Spake Zarathustra and would dance around quoting Adorno. Drunk, usually; unbearable always.
I wanted to reread some Nietzsche precisely because his work was so formative to me, and because I know so much more about Nietzsche now. It is clear, for instance, that Nietzsche was rarely having fun. That he had an immense capacity for beauty is apparent in how he writes about Wagner's work (both before and after their dramatic falling out). An awareness of Nietzsche's poverty, his sense of isolation from the academy (and, at times, Germany, Europe and Modernity), his failing eyesight, and, eventually, his failing mind make it hard to read Nietzsche in the spirit of fun.
And yet, the force of the prose and the almost perceptible energy of it struck me once again. There are times in Beyond Good and Evil where Nietzsche feels as close to describing human, modern, condition more closely than anyone else. And he tends to do it with flair:
Is living not vaulting, preferring, being unjust, being limited, wanting to be different?
We ourselves are a kind of chaos
Measure is alien to us, let us admit it to ourselves; what we itch for is the infinite, the unmeasured.
And, of course:
He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you.
The parts of Nietzsche that are inward looking and (in therapy speak) honest reveal a self-lacerating truthfulness. A willingness to look at his own human soul, his own human wants, in their barest and most fucked up forms. Chaos and the abyss as the building blocks of humanity.
On this reading it was hard—impossible—to ignore the bad stuff. Nietzsche's formulation of the world into a Master Mentality and Slave Mentality is disconcerting reading. The slave mentality as something resentful, having its origins in the weak and the oppressed. The master mentality as nobility, strength, and power. The fact that Nietzsche roots these values so distinctly in race and blood (in Beyond Good and Evil but also in The Genealogy of Morals) is more profoundly difficult. I've been reflecting on why I let this wash over me when I was younger. In part, I think, because I devoured Nietzsche's work and it was easier to disconnect the yes-saying, joyful, Nietzsche of Zarathustra from the darker, racially-tinted Nietzsche of Beyond Good and Evil. My part of culture has changed, and that certainly informs my reading. I am more attuned to the echos of race science and less inclined to make what now appear to be meaningless distinctions between what seems bad and what is bad. Some of it, too, is the black renaissance of race science, domineering politics, and brutal masculinity that is engulfing the west. Nietzsche's ressentiment is a little too close to 'the politics of envy' to be ignored; too many people aspire to be the stalking, blonde beast.
Nietzsche's work seems all too modern in this sense. It seems strikingly modern, too, in other ways. Famously genealogy was adopted by Foucault as part of his principal method of cultural critique. And from there it made its way into postmodernism and, eventually, Tumblr and Twitter too. The inspection of ideology and the way it shapes our lives, the way it is not truth or objectiveness, has become part of how we live now, for better and for worse. Although it is rooted in his musings on the slave mentality Nietzsche's critique of Christianity still feels ahead of its time: meekness and morality as a weapon, the sublimation of sexuality into love, the policing of other people...
At times this modernity seems painfully prescient.
The time for petty politics is past: the very next century will bring with it the struggle for mastery over the whole earth - the compulsion to grand politics.
perhaps they will have not only a smile but a feeling of genuine disgust for all such fawning enthusiasm, idealism, feminism, [and] hermaphroditism.
Nietzsche is right about the twentieth century's compulsion toward grand politics, and his recurring treatment of weakness, femininity, the mingling of different people, etc, nails, too, the driving forces behind this compulsion. Again, it's hard not to see echos of today. The grand politics, the disgust for the ideal, the feminine, and the gender non-conforming.
There was an unease that filled me when reading Beyond Good and Evil: that Nietzsche could be so off putting in his politics, and so predictive when applying them to the world. The book is filled with foresight of an emerging duality: the liberal democratic drive to protect and celebrate difference, and the crushing authoritarianism that finds itself through power.
In fact, uneasy duality is where I was reading most of this. When Nietzsche talks about women it can often seem both inhumanely misogynistic and, at times, as something like feminist critique:
another, with a more jealous and demanding thirst for possession [...] requires subtler tests, above all in order to know whether the woman not only gives herself to him but also gives up for his sake what she has or would like to have—: only thus does she count to him as 'possessed'
the tremendous expectation in regard to sexual love and the shame involved in this expectation distorts all a woman's perspectives from the start.
from the very first nothing has been more alien, repugnant, inimical to woman than truth—her great art is the lie, her supreme concern is appearance and beauty.
Of course, the intention matters and I am under no illusions that what I'm reading is Nietzsche's own misogyny. And, yet, some of the perspective here is at least close to the kind of critique few were willing to put forward at the time. The male drive towards possession, the jealousy that gives rise to robbing someone else of their life and their wants. Expectation and shame as distortion within the realm of sex and love. Uneasy duality.
I think this uneasy duality is where Nietzsche will be left in my head. I can't quite bring myself to fully disavow the feelings I had towards Nietzsche as a student, although a reread of his work has left me not wanting to claim them, either. In a recent set of videos on Nietzsche Abigail Thorn gave a slightly tongue in cheek trans reading of Nietzsche. In truth, this has been a less ironic take for me. The Nietzsche concepts of self-overcoming, the drive to understand my difference, to exert my own power in my life and over my body have all been key ways for me to navigate my transness. I still think of Zarathustra on the mountain as a painfully real metaphor for the trans experience. I can't quite be rid of that, but I can't ignore Nietzsche's darkness either.